Tag Archives: Franz Marc

Just see where it takes you

7 May

Bible Dam by Jacek Yerka

 

Here at the end of things, a big drop, endless forest. Things fall away.

Here at the end of things where the forest is the world. A book falls on my head and I start into wakefulness. Never could I understand the cruel logic of beginnings.

Whoever might have predicted that I would wake up here?

Many years ago, I read a book by Ursula Le Guin called The Word for World is Forest. I can’t remember anything about the book, other than liking its title. It is a science fiction story with ecological leanings, that much I remember, and was apparently the inspiration behind the film Avatar. I probably wouldn’t read such a book now, my tastes have changed. In those days I read whatever was around. There is, as far as I know, no library in that book. Here, though, the library is the world. There are probably no dogs, but I can’t be sure of that.

 

Here are two pictures of dogs by Franz Marc, the German expressionist painter.

Hund Weiss by Franz Marc

 

We know that Franz Marc had a dog, but not whether this is it, in the painting titled White Dog, or another, Dog in the Snow, in which the animal appears to have a yellow or a tawny coat, perhaps in contrast to the snow in which it lies.

 

Dog lying in the snow

 

I suspect that the pictures are of one and the same dog, Marc’s companion, with whom he took long walks in the Bavarian hills.  So the story goes, at least.

I rely on a mix of biographical snippets, picked up in some art book, many years ago, remembering only the detail that Marc took long strides (he was a large man) and that his dog resembled his master in distinctive ways, the two of them sharing a strength of character and mildness of disposition as noted by the unknown, possibly fictitious memoirist.

And now I take this memory for granted, have even placed the reference to character and disposition in italics, because I have convinced myself.

The story cries out for authentication. The dog, in two portraits, offers something that approaches evidence.

 

 

 

 

 

Horses

4 Apr

 

Blanco is somewhat anaemic these days, as a consequence of drug therapy whose other side effects are listed as lethargy, fatigue, depression, anxiety, and . . . rage. That’s right, Le rage. So, to save the venting of my swollen spleen, allow me to regale you instead with a quite uncharacteristically mellow poem from the collection I am currently translating by Joaquín O. Giannuzzi, an Argentinian poet of wonderfully dark and understated talents, which will be published in the autumn by CB Editions.

 

 

HORSES  

 

Horses put up with

the weight of history

until the invention of

the internal combustion engine.

Now, whenever they are born

they stumble and tarry before the light

believing they have burst in

on the wrong world.

 

 

 

 

 

 

How to talk about books you haven’t read (and how to write like Kafka)

26 Jul

 

 

I wake up early, make tea, return to bed, and start reflecting on the many, many books that I have not read, that I will in all probability never read. In an attempt to console myself (not that I am really all that bothered), I recall Pierre Bayard’s highly entertaining How to talk about books you haven’t read, which I always recommend to students at the university. It was a significantly more rewarding read than the title might suggest. And as for the techniques of reading a huge amount at speed: why bother? Unless, of course you are judging some competition and are required to read ninety novels in a month, in which case I have heard it is a good idea to read the first two chapters and the last, and if they are promising, to read the bits in between. In fact that might be a good attitude to apply to all fiction reading: It is horrible being caught up in a novel that you don’t want to be reading – in fact there are a thousand things you would rather be doing – but you somehow feel obliged to finish. The last time I had that experience was with Martin Amis’ The Pregnant Widow, which I thought quite dreadful, but out of some obscure sense of obligation, perhaps for once having enjoyed Money – I plodded on like an earnest foot-soldier to the bitter end. And then I decided: no more. No longer will I make myself finish the long book that is boring me to tears. So Bayard’s advice is well heeded. If you want to find out more, read his book. Besides – returning to my original line of thought – no one has read everything, not even Borges. But that needn’t stop you talking as if you had, according to Bayard, at least.

That there are so many books in the world would indicate that there is a lot to write about, but this does not always seem to be the case for the aspiring writer. Undergraduate students at the university where I teach often complain of not having anything to write about, by which they mean that their resources are limited by age and experience (a bit like applying for your first job). One way around this is to heed the advice given by Kafka, that “you don’t sit in your room and set out to write a story; if you just wait for it to happen, it will”. This might have been the way it was for Kafka: it certainly doesn’t always work with my students. But hang on (I hear you say) – where and when did Kafka say this? I have just lifted it from my notebook, because on 18th June, following my appearance with the delightful and hilarious Sandi Toksvig on Excess Baggage, I pootled along to the British Museum, where the London Review of Books was hosting a series of talks on World Literature. I walked in on a session with the Galician novelist Manuel Rivas, and the scribble in my notebook can be attributed to him. What he was attempting to summarize, from Kafka’s notebooks, was this: “You need not leave your room. Remain sitting at your table and listen. You need not even listen, simply wait, just learn to become quiet, and still, and solitary. The world will freely offer itself to you to be unmasked. It has no choice; it will roll in ecstasy at your feet.” Which is rather different, but probably still of not much help to my students, who would willingly beg, borrow, or steal their £9k a year fees to have anything rolling in ecstasy at their feet. What student writers regularly misunderstand is that they have to actually start writing before the ideas happen: they will arrive at the ideas through the practice of writing. Ideas don’t necessarily always ignite the writing: the writing can ignite the ideas. That’s why I always recommend them to just start writing, anything, freewriting or even nonsense, just to get into the swing of it, and then, with luck, the ideas will come.

Rivas came up with another quotation that I have no means of verifying, from Claude Lévi-Strauss, whom I last studied in any detail as a student at the LSE many years ago. According to Rivas, L-S said that in Greek times people and animals shared the same earth. Which I liked enough to jot down in my notebook also (they are the only two jottings from the Rivas talk). I love the idea of people and animals sharing the earth in respectful harmony, and for that reason have chosen a picture by Franz Marc to head this entry, Marc had a keen sensibility to the animal world, and was famous for going everywhere with his large white dog.

As a postscript, Mrs Blanco was a little concerned that I may have given the impression in my blog of 24th July that she did not think I was passionate. To set the record straight, this is neither the impression I meant to give, nor is it the opinion that she holds, and would add that a love of books is by no means incompatible with a passionate nature.

And finally, living proof that, as Goethe said, by simply making the effort to do something, the forces of providence will begin to move with you (or something like that) I find – while on my search for the correct wording of the one about sitting in your room and waiting, another quote from Kafka’s diaries for all aspiring bloggers (who are the diarists of our era), from February 25, 1912: “Hold fast to the diary from today on! Write regularly! Don’t surrender! Even if no salvation should come, I want to be worthy of it at every moment.” Huzzah!

 

 

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