Stendhal and Borges

14 Jul
Silvestro Valeri-Stendhal

Stendhal

In Stendhal’s Charterhouse of Parma the young protagonist, Fabrizio, is locked away in a prison tower, but is able to spy on his beloved through a slit in the shutter as she feeds her birds. His days are made meaningful only by these interludes of light in a life otherwise confined by darkness and solitude. He conjectures an idyllic existence lived with the obliging object of his gaze, and is kept in a state of ecstatic anticipation merely by her daily appearance in the courtyard. In Borges’ story, The Writing of God, the prisoner in his cell is kept in darkness throughout the day, excepting a single visit from his jailer, in which water and food are lowered down by rope, through a small door high above him. In the time it takes for this to take place, light enters the cell, allowing the prisoner to observe, for a few seconds, the jaguar in the neighbouring cell, and to attempt to decipher, on the cat’s black and yellow coat, the writing of God. For both these prisoners, the attainment of their respective goal is an irrelevance, since it is not fulfilment that matters, but the prolonging of hope, the feeding of illusion in that one moment of revelation.

About these ads

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 1,527 other followers

%d bloggers like this: